Parisot – Final Blog

•May 5, 2008 • Leave a Comment

Our final project was on the Bare Your Soles march that happened in early April. From the start, I was picked as “the video guy,” an assignment I was more than happy with. I’m not that great of a photographer, but from the minute I got my hands on the video camera I was in love.  One of the big reasons I loved this class was I’m a huge nerd for gadgetry; the digital voice recorders, the various microphones, all of it. If I could find a job in journalism that centered around using and maintaining the equipment, I’d jump on it.

The “planning” stage was mostly taken care of by Justin; he told me where to show up with the camera, and I did. Justin did a lot of work on this project, including actually getting to know the people organizing the march. While he knew names and contact information, I only knew the two-dimensional characters seen through a viewfinder(leader girl, dreadlock guy, beard guy, accordion guy, blond hippie chick). Justin also operated under the assumption that I was going to be angry with him for doing too much work; obviously he underestimated my love of laziness.

The first thing we did was videotape the drum circle and stand up(more like sit down) interview. This was the first time I did something real with the camera that wasn’t people at the bus stop, or myself wandering through the GAB talking to myself. I went over the basics of video shooting in my head while setting up. The interview itself went well enough, if a bit dry. The wireless mic (yes, we got to use the wireless mic, take that other classmates!) acted up whenever the girl would move, causing us to lose several good quotes. Another thing is that the receiver for the wireless mic made the camera look like a spaceship, or the head of a transformer.

After the interview we shot some b-roll of the “drum circle.” I put the quotation marks there because there weren’t many drums, and it was more of a semi-circle to be honest. While I applaud the Seeds of Change people for their activism, their musical skills are lacking. This normally wouldn’t really be an issue, but it made for really, really terrible audio. As nice as Blond Hippie Chick was, she might be the most tone-deaf human being on the face of God’s blue earth. I swear to Heaven if I had to listen to her mangled warblings of “Earth Angel” for a minute more, I was going to bludgeon her to death with the metal end of the tripod.

Covering the march itself was one of the most fun, fascinating, and challenging things I’ve done as a journalist. I woke up at ****’o'clock in the morning to meet Justin and Richard at the GAB, before heading down Hickory to videotape the street sweepers. While taping, I mentally postulated stealing a shopping cart, hopping in it with the camera, and having Justin pull me along using it as a makeshift dolly.  Not wanting to appear soft, I trudged along.

Between taping the sweeping and the beginning of the march, we sat outside the Language building and waited. Some of Denton’s homeless gathered there as well to prepare for the march. As Richard interviewed some of them, I realized why these people were as bad off as they were. Some had just fallen on hard times, while others were simply too mentally unbalanced to hold down jobs. This chilled me to the bone. My parents sacrificed a lot in my childhood to keep a roof over me and my sister’s heads, and food on the table. There’ve been times here in Denton where I didn’t have money for both food and rent. This project touched on a great fear of mine, and that will probably stick with me more than anything else.

At some point during the waiting, Justin and Richard ditched me and the equipment to go get coffee from 7-Eleven. Normally I wouldn’t mind(I hate coffee anyway), but Creepass found me. Creepass was the name I assigned to this strange indigent Denton man in a long black trenchcoat and doo-rag, who looked and smelled like he hasn’t seen the inside of a shower in far too long. His attempts at socializing with me came off as forced and weird, and he leered at the camera equipment a little too much. He obviously didn’t know that I would defend the gear with all the fat redneck fervor I could muster, since it is probably worth more than the sum of my organs and tissues on the black market. Almost on cue, though, a Denton bike cop rode in Creepass’s direction, causing him to trot away to talk to them. The way he through his head down, resigned to his fate, made me think that being accosted by police officers wasn’t new to him.

Soon after Justin and Richard returned, more students and homeless started gathering around the Language building. At this point I thought of something else regarding the homeless. How did they feel about the itinerant assistance provided by college kids? What percentage of these people would continue their philanthropy after graduation, and what percentage would abandon it and go on purely serving their own needs? For some of these people it seemed like a hollow gesture; they’d show up, look pretty, take pictures with their friends on their camera phones, do a little bit of work and then head back to their dorm room or upscale student apartment, financed by mail by their parents. Meanwhile, the homeless of Denton live day-by-day, every day, maybe for the rest of their lives.

At this point I’d like to say that walking around with a video camera makes me feel really cool. While other chumps walk around with camera phones and little handheld camcorders, I stand tall and proud with my big, professional video camera, my weapon of choice. I’m sure Freud would have something to say about this, but I had no time for a psychological evaluation; the march was starting.

Taping the actual march was both exhausting and monotonous. There’s really not a whole lot you can do visually with a march, given the restraints we were under. Just various shots of people walking from different vantage points. In addition to having to carry the camera and tripod, Justin saddled me with a backpack full of photography odds and ends. 20% of this time was actually spent taping the march, the other 80% consisted of me running alongside the marchers to keep up, while toting the camera, tripod, and backpack, all the while trying to keep the headphones on my head and my pants from falling down. One of the marchers took pity on me and asked if she could carry the tripod for me; I respectfully declined the offer. I worried that my labored, fat guy breathing would be heard on the tape, a worry that later proved unfounded during editing.

When the march ended at the square, a food line had already been set up and was waiting. I was more than eager to chuck the camera aside and stuff my face, but I waited until I was sure Justin and Richard went as well, to lessen the shame I felt eating food that was ostensibly provided for the homeless. By the time I got a plate full of pizza and cookies, though, I really didn’t care. Over the din of a local rock band, we taped one last stand up before heading back to the GAB.

The editing process was fairly painless, just long. We knocked the lion’s share of it out in one Friday evening, but it took much longer than I anticipated. We started editing around 5PM, and we didn’t get out until 9 or so. I was surprised at how much time cutting sequences together ate up.

One thing I would like to point out here is that on the surface it may appear that Richard didn’t contribute much, but what he did get done pushed us over the top. He was the Jason Witten to Justin and I’s Marion Barber and Julius Jones. He may not have carried the ball as much as we did, but he came through when we needed him and got us much-needed yardage in the clutch.

As far as the Flash thing went, I putzed around with it for a bit before poking it with a stick and giving up. I would have loved to had more class time to play with Flash but at the time my concerns were elsewhere, and it had been a few semesters since my furtive affairs with Dreamweaver in Newspaper Design and Computer Applications in Journalism.

All in all, the final was one of my favorite things I’ve done in journalism so far. If this is the kind of stuff I’m going to be doing in Victoria, then I’m really looking forward to it.

Parisot – Death by blogging

•April 23, 2008 • Leave a Comment

This was disturbing. It seems that thanks to blogging, journalism has been reduced to little McDonalds size chunks, and it’s killing the people involved- hey, much like McDonalds! I can’t really say much, there’s one Gawker Media site, Kotaku, that I read every day. I would have gotten an internship with them, too, if only I could have moved to Denver.

I’m no stranger to marathon sessions on the computer. If it isn’t things like World of Warcraft or Dawn of War keeping me on the computer for hours on end, it’s the lovely projects journalism students have to do at the end of every semester. I found a great antidote for these problems – go outside. When you know that your job consists of sitting in front of a computer for hours on end, you might want to invest in a treadmill and change your diet a little.

Parisot – Bee Essay

•April 23, 2008 • Leave a Comment

We were told to watch this video story for class. While watching it, I suddenly realized that I didn’t care about it one way or the other. This video failed to illicit any emotional response from me at all. I’m not sure why; the concept of the recent bee die-offs is fascinating, it’s just this particular examination of it was boring.  I think that the angle on the whole foreclosure crisis is what got me. I’m really, really tired of hearing about it. A lot of the people affected by this, I don’t feel sorry for; they knowingly bought houses with shitty loan terms, many times buying huge houses they didn’t need. If anything, maybe this will convince people to live simpler.

As far as motion goes, with the exception of the bees there is very little. Most of the video consists of stand up interviews, or the beekeeper in question walking from one place to another. This subject matter would have been better as an audio slideshow, I think.

I think the only people that are going to want to see this are people who really love or hate bees. Maybe people in Florida interested in the housing foreclosure crisis, but I can’t imagine anyone else.

Online Journalism Final – Ancillary Entry 4

•April 22, 2008 • Leave a Comment

N’Gai Croal is a gaming journalist with Newsweek. Recently, he commented on footage from the Resident Evil 5 trailer, and what he believed to be inherent racism in the images shown. Croal’s comments set off a firestorm of discussion on the nature of racism in video games, and in pop culture today. Croal’s commentary was examined piece by piece at MTV’s Multiplayer blog.

Online Journalism Final – Ancillary Entry 3

•April 22, 2008 • Leave a Comment

Jeff Gerstmann was an editor and reviewer for Gamespot, a popular video game website. Gerstmann was known for his very frank video reviews. Gerstmann was fired by Gamespot after posting a negative review of Kane & Lynch: Dead Men because of pressure from the game’s creators Eidos Interactive, who happened to be advertising with the site. The debate centered around the concept of reviewing, and whether or not a site can be impartial when reviewing games while also accepting advertising money.

The beginning of the controversy can be seen here at Kotaku.

The staff of Gamespot made a goodbye video shortly after Gerstmann’s departure, and it seems almost as if they are eulogizing him.

Online Journalism Final – Ancillary Entry 2

•April 22, 2008 • Leave a Comment

Zero Punctuation is easily the highlight of any gamer’s week. Each Wednesday, The online magazine The Escapist publishes a new Zero Punctuation video, courtesy of vulgar, fast-talking Englishman Ben “Yahtzee” Croshaw. Each week Croshaw chooses a new game to rip apart in a five minute video review. Instead of assigning a game an arbitrary numerical score, Croshaw simply talks about the game, more often than not openly mocking it.

However, the nature of Croshaw’s reviews started a discussion at Ars Technica about the nature of exclusive video on the web. Thanks to the technology now made ubiquitous by YouTube, anyone can embed video into their Web site and claim it as their own. In an act of supreme irony, I’ve embedded Croshaw’s review of Super Mario Galaxy into my post. Caution: There be strong language within.

Online Journalism Final – Ancillary Entry 1

•April 22, 2008 • Leave a Comment

Earlier in the semester, controversy was stirred over the sexual content of the Xbox 360 game Mass Effect.  What ended up garnering more attention, however, was the mainstream media’s take on the game’s content. What was most entertaining was this Fox News piece where uninformed journalists discuss the game with a supposed expert.

Electronic Arts, the publisher that released Mass Effect, responded directly to many of the accusations made in the piece, while casting aspersions on the nature of television journalism itself.

Foote – Blog Assignment 4-10-08

•April 10, 2008 • Leave a Comment

1. Consumers will eventually shift to more complex and costly cell phone applications in the near future, according to a recent study. A survey released by Harris Interactive says that about 40% of U.S. adults with cell phones that use non-voice applications pay extra for them. The study also found that although the charges usually only amounted to 10% of a user’s bill, these users tend to have higher than average bills.
Andrew Roscoe, partner with ForceNine Consulting, said that “non-voice services are in their early, high-growth stage, they are already having an important impact on ARPU [average revenue per user] growth.”
While most mobile content provided in the United States currently is related to ringtones, wallpapers, and other personalization items, as technology develops more complex applications will arise.

2. More people will be paying for more than just ringtones in the near future, according to a recent study. A survey released by Harris Interactive shows that 40% of adult cell phone users pay extra for non-voice applications, and that these users also have higher than average phone bills.

Foote – Rewrite Assignment

•April 1, 2008 • Leave a Comment

Phil Banker

phil.banker@gmail.com

The Federal Bureau of Prisons returned religious materials to prison chapel libraries after withering pressure from spiritual groups, civil libertarians and members of Congress.

The bureau removed the materials after a 2004 report said that certain religious books could incite violence in the prison population.

After the publication of the report, several Republican lawmakers, as well as liberal Christians and evangelical talk show hosts decried the government’s idea of acceptable religious books.

Even though the list of acceptable books will still be compiled, according to spokeswoman Judi Simon Garrett, the books will now remain on the shelves.

The bureau’s review of the religious texts will be complete by January 2008.

Links:

American Civil Liberties Union

Office for Intellectual Freedom

Federal Bureau of Prisons

Parisot – “Ninth Ward” critique

•March 30, 2008 • Leave a Comment

We had to watch the Pioneer of the Lower Ninth Ward video for class. I enjoyed watching this video, if you can say you “enjoy” watching such a tale of woe and government ineptitude. I was very surprised how effective stationary shots of landscape could be. I guess it was because it was so empty and desolate.

The sequences the videographer shot were effective, however the one of the woman walking down the street to her nearest neighbor was a little strained. It seemed awfully staged, which is really the only blemish on an otherwise excellent piece.

The storytelling itself was very powerful. I didn’t know that the Ninth Ward in New Orleans was still so bad off. The shot of the woman watching the television report on the government’s failed “Road Home” program provided very interesting contrast.

I hope to at some point produce a piece half as good as this one.